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• How long did it take to film coraline movie#

“Scheduling was often tricky, because of our ambitions with this project,” remembers Sutner.

The 52 different stages are the most ever deployed for a stop-motion animated feature – a number matched only by LAIKA’s own earlier Coraline. By August 2010, with a crew of over 320 talented designers, artists, animators and technicians, there were 52 separate shooting units working at almost any given time during the shoot.

The two years of production on ParaNorman took place at the LAIKA Studios located in Hillsboro, Oregon, in a 151,140-square foot building space. The ParaNorman animators, meanwhile, were getting into the requisite mindset by looking at not only zombie flicks but also Frankenstein and Nosferatu, among other classic scary movies. LAIKA’s choosing her made for a great start for an established and cohesive unit to move on together from the world of Coraline and into the story of Norman.” Smith would continue to work on ParaNorman’s character and conceptual designs all through the two years of production. In Blithe Hollow, everything may be a little off-center and off-kilter, yet we allowed for breathing room so that you feel comfortable visiting it remains recognizably 21st-century.”Ĭreative supervisor of character fabrication Georgina Hayns states, “Heidi’s designs upped our game. Sutner notes, “Heidi’s work helped establish a consistency of character and production design for the movie. When things get chaotic in this story, it’s important that you have felt a grounding prior.” “ ParaNorman isn’t about ‘another world’ or ‘another place.’ It’s a slightly stylized perspective on a contemporary setting. “She’s like a magpie who went out into the world, took stuff and brought it back for our movie. “They’re studies from life,” marvels Fell. Heidi’s stood out because her work wasn’t like anything else.” “We wanted things to be wonky in Blithe Hollow – just a bit off,” says Fell.īutler remembers, “We had gotten a number of new talents’ portfolios after Coraline. It helped move me forward.”Ĭharacter designer Heidi Smith, then a recent CalArts graduate, made monochrome pencil-on-paper sketches that were two-dimensional, and everyone sparked to her work as a suitably rough-edged template. We didn’t end up going in his direction, but getting his input was motivating and inspirational for me. “Also in the early stages, one of my favorite comics artists, Guy Davis, gave us some initial character drawings as his take on the script. It was a cross-pollination, if you like – and one that helped get my head out of Coraline, which had its own style, and into what ParaNorman’s could be. We invited Tomm Moore and Ross Stewart to visit LAIKA, and they contributed a few things that informed the style of our movie. In the early stages of developing ParaNorman, I was talking to Arianne about the guys who made the The Secret of Kells.

How long did it take to film coraline movie#

The animation community prizes artistic ferment, and as such LAIKA has brainstormed with – and recruited – talent from all around the world after Coraline, there was even more interest in exchanging ideas.īutler reflects, “While this movie was made in 3D to draw people in and while I had always conceived this movie as stop-motion, I do love 2D animation.

There is a richness that comes through in every frame.” Everyone at it has a love for the shared art form.”ĭirector Chris Butler adds, “I know a lot of them as not just a good crew but also as friends.”ĭirector Sam Fell notes, “I arrived at LAIKA and saw right away how everyone puts love and care and generosity into their craft. Producer Arianne Sutner notes, “It’s a growing company, attracting people who look at the world differently. “Our pictures engage and involve everybody at LAIKA, each bringing something of themselves to these captivating stories that have resonance – while expanding people’s notions of what animation can be, with bold and innovative design as well as thematically compelling material.”įrom the oversized to the miniature, at LAIKA Studios, artisans and animators work together on everyone and everything that audiences worldwide will see and marvel at on-screen. So it is this art form that we are trying to redefine. We take it further, by incorporating all forms of animation into our methodology, and while we have a wide range of projects, LAIKA has roots in stop-motion. Genre is a limiting term, hamstringing creative possibilities, but animation is a powerful visual medium restrained only by the imaginations of its practitioners. Lead animator and producer Travis Knight comments, “Animation is a medium, not a genre. ParaNorman is the biggest production ever to be made in stop-motion animation, being only the third stop-motion movie to be made in stereoscopic 3D following LAIKA’s Coraline (2009) and Aardman’s The Pirates! (2012).